CRCI
2022; Providence, Rhode Island
The Conference for Research on Choreographic Interfaces (CRCI) was founded by Sydney Skybetter at Brown University in 2015 to consider the intrinsic risks and creative possibilities of surveillant computational systems. The convening’s participants-- with expertise in choreography, digital art, interface design, hardware hacking, ethnography, data science, facilitation and software design-- gather annually to collectively consider productive interventions in emerging technologies with the belief that bringing artistic intelligences to engineering will make the world more equitable, sustainable, and embracing of creative discourse.
Daedalus Drones Asia Society Panel – Against the Colonizing Universal
2021; Hong Kong, China
With the confluence of accelerating trajectories, including the development of AI, climate change, and the rising economies of East and Southeast Asia, and shifting geopolitical matrixes that challenge post-war indexes of power, we approach a critical moment in history, an appropriate time to reflect on the meaning of art and art-making in a Southeast-Asian context. On the occasion of Ken Ueno’s installation performances of Daedalus Drones at the Asia Society, a panel of experts is assembled with the aim of tackling this reflection from broad and diverse critical perspectives, commenting on the various vectors that Ueno’s work encompasses.
Hello Meatspace, My Old Friend
2021; New York, New York
Professor of Choreography and Emerging Technologies at Brown University, Sydney Skybetter, narrates the choreographic history that bridges dancing military robots, surveillant software platforms and centuries-old French dance notation practices. Through analyses of ballet history and contemporary robotics manufacturer Boston Dynamics, Skybetter will sketch out the risks and opportunities of the emerging, interdisciplinary field of choreorobotics.
Army + The New Body Soldier
2021; Edinburgh, Scotland
Where does the body meet technology? Are we at the forefront of the blend of body and technologies, or does soft flesh still meet hard metal? Where does the body end and the robot begin? With former soldier / author and artist Harry Parker + choreographer and robotic researcher Sydney Skybetter.